Revelation 4:1-3

New Catholic Bible

Footnotes

1. Revelation 4:1 In antiquity, books took the form of large scrolls. Thus, the most important and difficult part of the Book of Revelation is presented to us as a well-sealed scroll; the seals must be broken and, as they are, the visions unfold one after the other. In their main lines these visions intersect according to the classic plan of an apocalypse. After a grandiose inaugural vision (chs. 4 and 5), there is the prelude of events to come (Rev 6:1—11:9): it is the history of Israel, whose fall under the blows of the Roman armies is regarded as a judgment of God on his people. Then follow the trials and confrontations of the decisive moment (Rev 12:1—20:15): the nations come before us, slaves to the powers of evil that oppose the plan of God, who wants to save human beings. The Roman empire is certainly in the forefront. The Judgment will be even more terrible than that of Jerusalem if they remain hostile to Christ the Lord, to his Gospel, and to his Church. In any case, the great battle between God and the wicked powers will end with the extermination of these powers. Then, the drama can be resolved in the final accomplishment (Rev 21:1—22:15): God creates a new world reserved for his Elect.
   But must we read, in this succession of numberless visions, the sketches of a mysterious calendar, a succession of events to come? The whole would then appears terribly supercharged, badly ordered, and—in a nutshell—incoherent. Doubtless, one can imagine that the elements of two different apocalypses—each redacted according to a similar movement—have been poorly coordinated, in a single book. But the author multiplies images and explanations to such an extent as to disconcert and baffle us. Yet, these events are described in such an ambiguous manner that they could be applied to all times. These things are always happening; we should always be ready for the end.
2. Revelation 4:1 This is a view of history imparted by faith. The Book suggests it by immediately transporting us to the throne of God where the destinies of the universe are decided. Images are multiplied to suggest in advance and to represent the hidden meaning of history. This inaugural vision places the readers in the worship of God; it confirms the role of Christ as Master of the history of the world.
3. Revelation 4:1 Emperors are entertained like gods and are thought to have power over the world’s destiny. The truth is far different. Who indeed can open the door of the true God’s dwelling and express the greatness of his life and plan? Here are innumerable symbols orchestrated like a brilliant symphony. Everything is inaccessible greatness: the peace of the light, the dread of the All-powerful, the power that dominates the universe, the perfect knowledge of all things. All this is what is proclaimed in these images.
   Already present around God are the fathers, those great ancestors whose sacred history faith proclaims (see Sir 44–50; Heb 10–12); for He is the God of the living and not of the dead, the God of Abraham, Isaac, and Jacob, as Jesus attests in the Gospel (see Mk 12:26-27). The great manifestations (or epiphanies) of God depicted in the Old Testament are an invitation to adore God, and the author was inspired by them. We recognize the themes of Isaiah in the temple (see Isa 6) and especially the images of Ezekiel (see Ezek 1 and 10). In this way, the Jews were wont to express God’s domination over the universe.
   Thus, the sea, always felt to be a savage and hostile power, was itself tamed by the all-powerful God. All the forces of heaven that can be imagined—for example, those to which are attributed the government of the seasons and the rhythm of time, the four living creatures that represent the best of creation—are at the service of God. All these symbols form a great hymn to the Creator.
4. Revelation 4:2 In the spirit: see note on Rev 1:10.